Download VirSyn Cube VSTi RTAS v2.2 keygen by BEAT

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VirSyn.Cube.VSTi.RTAS.v2.2.keygen.by.BEAT.zip (159660 bytes)

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BEAT.nfo

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 ■───┘          B E A T   P R O U D L Y   P R E S E N T S:          └───■
 └──────────────────────────────────────────────────────────────────────┘

      ...............VirSyn.Cube.VSTi.RTAS.v2.2-BEAT................

       Date.: 0301 2007                   Supplier.: Team DYNAMiCS
       Disk.: [xx/32]                     Cracker..: Team BEAT
       Type.: VSTi/RTAS/Standalone
       URL..: http://www.virsyn.de

 ■   ┌──────────────────────────────────────────────────────────────┐   ■
 ├───┘                  R E L E A S E   N O T E S                   └───┤
 └──────────────────────────────────────────────────────────────────────┘

      The structure of sound
      
      CUBE 2 is a musical instrument and the ultimate tool for sound
      designers who wish to have instant and intuitive access to all
      principal components every imaginable sound is build from.
      Every sound can be decomposed in a sine spectrum representing
      the harmonic and inharmonic partials and a residual noise
      spectrum for the noise components. The spatial character of a
      sound can be represented by a pan spectrum. The temporal
      evolution of these three spectra is a very convenient way to
      describe every sound. CUBE 2 is built around this model and
      allows you to manipulate the structure of a sound with all its
      components in a comfortable and musical way.     
      
      Resynthesis
      
      Take a sample as input and CUBE 2 analyzes it into two
      components: up to 512 sine tracks for the partial components
      and the residual spectrum for the noise components. The
      outstanding quality of the analyzer for a broad range of
      sounds avoids the typical artifacts known from time
      stretching/pitch shifting and granular algorithms. 
      
      Spectral editing
      
      The spectral editing windows are the heart of CUBE┤s sound
      manipulation and creation capabilities. They give you deep
      access to the sound components described before. Imagine
      drawing a bandpass filter or comb filter structure directly
      into the spectrum display ! Zoom into the spectrum to
      manipulate it down to a single partial. You can use ôContrastö
      tools to enhance or reduce the frequency or amplitude
      modulations of the sound in selected areas of the spectrum.
      And all editings are immediately audible. 
      
      Time warping
      
      CUBE┤s unique time warping envelope gives you control over the
      timeline. You can simply reverse the sound, freeze it at any
      position or manually move around the sound for scratching
      effects. Or create an arbitrary moving with up to 64
      breakpoints. 
      
      Morphing
      
      The next level of sound manipulation in CUBE 2 is to take up
      to four sound sources and make all parameters and spectral
      components move inside this ôcubeö. Take for example a flute
      like sound as one source and a trumpet like sound as another
      source. The result is a sound morphing from flute to trumpet !
      The movement can be made automatically with the morphing
      envelopes or manually by using MIDI controllers or the mouse.
      
      Source editing
      
      Each of the four sound sources allow for another level of
      controlling the sound. The levels, attack and decay times, pan
      positions of every partial can be globally edited here on a
      more abstract level. You can use a global filter with
      arbitrary shape on this level which takes also part in the
      morphing process - a comb filter in Source A can for example
      morph into a lowpass filter in Source B.
      
      CUBE Features
        
      8 independent spectral synths
      
      - four morphable sound sources
      - 512 partials per voice
      - harmonic/inharmonic spectra
      - arbitrary noise spectra
      - morphable filter banks
      - ensemble
      - 3 Envelopes with tempo sync
      - 64 time/level segments per envelope
      - 2 LFOs
      
      Resynthesis
      
      - AIFF/WAV sample import
      - Sine spectrum
      - Residual spectrum
      - Pan spectrum
      - Spectral editing
      - Time warp envelope with 64 breakpoints
      
      8 Effect racks
      
      - Chorus/Phaser/Flanger
      - Distortion
      - Echo/Delay
      - Reverb
      
      Arpeggiator
      
      System
      
      - standalone and plugin
      - VST / AudioUnit / RTAS support
      - Scala compatible Microtuning
      - Up to 8 independent outputs
      
      User interface
      
      - Unique design
      - MIDI learn function
      
      Interfaces
      
      - VST2
      - AudioUnit
      - RTAS
      
      Minimal system requirements PC
      
      - Pentium III 600 Mhz processor or Athlon XP/MP (SSE required
        !)
      - 256 MB RAM
      - Windows XP
      - 16-bit Soundcard with DirectX/ASIO driver


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 ├───┘                  I N S T A L L   N O T E S                   └───┤
 └──────────────────────────────────────────────────────────────────────┘

      Just run Setup.exe to install.

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 ├───┘       / __  / __/ / /| | / /                                 └───┤
 │Updated On/ /_/ / /___/ ___ |/ /                                      │
 `─[o8/o5]─/_____/_____/_/  |_/_/───────────[ cAN yOU fEEL tHE bEAT? ]──'


FILE_ID.DIZ

BEAT's keygen for VirSyn Cube VSTi RTAS v2.2


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