Download Genuine Soundware EG70 v1.0 VSTi AU MAC OSX UB REPACK keygen by DYNAMiCS

Added to site2009-01-26
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Genuine.Soundware.EG70.v1.0.VS.keygen.zip (150183 bytes)

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DYNAMiCS.nfo

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            Genuine.Soundware.EG70.v1.0.VSTi.AU.MAC.OSX.UB.REPACK-DYNAMiCS             

      SUPPLiER..: Team DYNAMiCS                     DiSKS...: 02 * 5MB
      CRACKER...: Team DYNAMiCS                     DATE....: 0126 2009
      PACKAGER..: Team DYNAMiCS                     RELEASE#: DYNAMiCS-364
      PROTECTION: gone                              FORMAT..: VSTi/AU/OSX/UB

                        http://www.genuinesoundware.com/                        

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     Instrument Background

     

     The CP-70 was a portable electric piano invented during the seventies
     by the japanese company Yamaha, also makers of renowned fine classic
     grand pianos. It was made for the touring musician who wanted to take
     an acoustic piano on the stage. It's a rock solid instrument that
     splits into two parts for better transportability. The structure is
     based on the keyboard and mechanics of a classic grandpiano but with a
     smaller harp, less strings and shorter than a classic baby grand.
     There's no soundboard, and every note has its own piezoelectric
     pickup. The main preamplifier offers a basic 3-band equalizer and a
     tremolo effect. This piano had a significant role in the pop music of
     the seventies and the eighties, featuring in songs by well known
     musicians like Stevie Wonder, Genesis, George Duke, Simple Minds, etc.
     It is now back on the stage thanks to the british band "Keane", you
     can see it in the video of the song "Everybody's changing". Every
     modern digital keyboard offering a wide variety of timbres has a patch
     inspired to the sound of the CP piano, and sometimes it's still
     preferred in genres like rock and pop where the producers want a
     brighter and more prominent piano sound. 

     

     Plugin Description

     

     EG70 is a physical modeling simulation of a CP-70 electroacoustic baby
     grand touring piano.

     Main features:

     - Full Polyphony (73 notes)

     - Adjustable sympathetic resonances

     - Realistic response to keyboard dynamics

     - Adjustable global tuning

     - Four dynamic curves available

     - Realistic control panel with active EQ and Tremolo effect

     - Stereo tremolo mode (auto-pan)

     - Adjustable note decay and release lengths

     - Built-in stereo digital reverb

     - On-screen help tips and readout values

     - Low memory and CPU power needed

     - Easy MIDI-Learn feature

     

     EG70 has a very natural response to keyboard dynamics and to player's
     style. You'll hear the benefits of physical modeling mostly when the
     sustain pedal is in use. The sound is warm and metallic at the same
     time, unpredictable, rich and natural like only a real piano can be. 

     

     About Physical Modeling

     

     Although physical modeling synthesis is a well known concept nowadays,
     it's good to point out some of the differences that make a modeled
     instrument, like a piano, preferred over a sampled one. As we all
     know, physical modeling is a technique to recreate acoustic phenomena
     in the digital world by means of math formulas and other complex
     algorithms, but in practice it takes the musician to a compromise:
     while samples offer true realism, being an actual photography of a
     specific sound, just like a photography a sampled sound stays still,
     never changes over time and doesn't react to external variations. On
     the other hand, a modeled sound may lack of realism or may be somehow
     imprecise regarding little details, but it's alive, does react to
     musician's playing style, adds color and vitality, is never static and
     takes full advantage of the power of modern digital systems. Speaking
     of a piano, which is one of the most expressive instruments ever
     invented by humans, using samples is a bit of a contradiction. Can you
     quantize the dynamics of a piano and establish a limit? You can't. Can
     you consider all of the variables and combinations that may happen
     with different numbers of notes played in as many different
     situations? You can't. Can you create resonances using samples? You
     can't. This is why, sometimes, physical modeling can be preferable
     over sampling, so that the virtual gets closer and closer to the real.
     Now let's have a look at how EG70 benefits from physical modeling.
     First thing: the polyphony. In EG70 you have a full polyphony of 73
     notes. One note available per each single key. This could seem obvious
     but it isn't. Many times you see digital pianos with 88 keys but
     offering 128 or even 256 notes of polyphony. So, what's the point of
     having more notes than keys? Because with sampling you need a note per
     each sample playback. If you press the sustain pedal and hit the same
     key twice or more times, you employ a new voice each time, so you can
     even use all the available voices for a single key, because samples
     start playing one on top of another, summing phases and amplitudes,
     resulting in an unnatural behaviour for a piano. In EG70, when you
     hold the sustain pedal down and hit the same key more times, the
     virtual hammer always strikes the same (virtual) strings adding or
     subtracting vibrations according to the phase of the string in the
     very moment when it gets struck by the hammer. One key, one voice.
     This is exactly what happens in a real piano, and every time you hit
     the key you can hear subtle differences from other strikes of the same
     note. Also, this extends the limit of the 127 velocity values
     available in the MIDI protocol. Another example: the resonances. A
     baby grand piano like the CP-70 has no soundboard, so the actual
     resonance is very limited, but still there are 131 strings that are
     free to vibrate when the dampers are released, 15 of which are large
     round-wound strings that produce a high number or overtones, and the
     last 8 keys (for a total of 16 strings) don't have dampers at all, and
     are free to resonate all the times. So, when the player keeps a key
     down when the note has reached a full decay, he's keeping the damper
     away from the string(s) setting them free to resonate if other keys
     are played. This is called ôsympathetic resonanceö. When the sustain
     pedal is down, all dampers get away from the strings, so a single note
     played may spread its resonances through the whole harp. This is what
     happens in a real piano and in the CP-70 electric piano, and is
     perfectly emulated by EG70.
     
     
     Repack notes:
     
     Fixed permission issue


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                                Unpack, Install


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 ▀▓▌                   ▀▓▌         - GREETS -         ▐▓▀                   ▐▓▀
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 BEAT, NGEN, Lz0, JGT, CFF, AGAiN, MAGNiTUDE, PsyCZ, SUSHi, H2O, DELiRiUM       

                    Remember to BUY the stuff if you USE it.

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▀    ▐▌ ▐▓▄  ░▒▄▄▀ ▐▌ ▀▄ ▀▀▀  ▀▀▀░▄▀░      ░▀▄░▀▀▀  ▀▀▀ ▄▀ ▐▌ ▀▄▄▒░  ▄▓▌ ▐▌    ▀
    ▄▀░▄▀░ ▀▄ ░░░░▄▀   ░▀▄▄ ░▄▀▀▄▓▌          ▐▓▄▀▀▄░ ▄▄▀░   ▀▄░░░░ ▄▀ ░▀▄░▀▄
  ▄▒░▄▀      ▀▀▀▀▀     ▄▀░░▄▀    ▀▓          ▓▀    ▀▄░░▀▄     ▀▀▀▀▀      ▀▄░▒▄
 █▓▓▀  ▄▄▄■ ▄▄ ▄▄  ▄▄ ▐▓░▒▀                          ▀▒░▓▌                 ▀▓▓█
 ▀▓▌  ▐░▌  ▐ ░▌▐▐▄▄▌▌  ▀▓▌                            ▐▓▀                   ▐▓▀
   ▀   ▀▀▀▀ ▀▀ ▀▀  ▌▌    ▀                            ▀                     ▀
         CoH  ▀▀


FILE_ID.DIZ

keygen for Genuine Soundware EG70 v1.0 VSTi AU MAC OSX UB REPACK by DYNAMiCS


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