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TYPE FOUNDRY : Storm Type Foundry
FONT NAME : Teuton
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███ - -(x)- R E L E A S E i N F O -(x)- - ███
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▓ ░ ▓▓▓ SUPPLiER: TEAM TYPO RELEASE DATE: 5/10/2005 ▓▓▓ ░ ▓
▓ ░ ███ PACKAGER: TEAM TYPO TOTAL DISKS : 01 X 2.88MB ███ ░ ▓
▓ ░ ▓▓▓ PRiCE : $209.00 TYPE : PostScript ▓▓▓ ░ ▓
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▓ ░ ███ Germany is the cradle of letterpress, German type & Black ███ ░ ▓
▓ ░ ███ Letter type faces. In spite of the fact that Black Letter ███ ░ ▓
▓ ░ ███ type faces belong to a bygone tradition, their spirit still ███ ░ ▓
▓ ░ ███ survives even in quite modern Latin types. Already A. ███ ░ ▓
▓ ░ ███ Hitler attempted, in vain, to eradicate the regular, ███ ░ ▓
▓ ░ ███ upright and compact abscissas of the strokes made by a flat ███ ░ ▓
▓ ░ ███ quill, which the first printers had taken over from their ███ ░ ▓
▓ ░ ███ elder brothers - the scribes. He wanted to replace them ███ ░ ▓
▓ ░ ███ with the Futura type face designed by the typographer P. ███ ░ ▓
▓ ░ ███ Renner (whom he later committed to prison). It turned out ███ ░ ▓
▓ ░ ███ to be futile to wish to root out the Black Letter type face ███ ░ ▓
▓ ░ ███ from the awareness of a nation, to which O. Bismarck left ███ ░ ▓
▓ ░ ███ the message: "Deutsche Bucher in lateinischen Schriften ███ ░ ▓
▓ ░ ███ lese ich nicht". German transcriptions of some Roman type ███ ░ ▓
▓ ░ ███ faces feature hidden elements of Black Letter calligraphy: ███ ░ ▓
▓ ░ ███ for example, a typical feature of all Garamond type faces ███ ░ ▓
▓ ░ ███ produced by the Berthold type foundry is the Black Letter ███ ░ ▓
▓ ░ ███ top of the lower-case "a" which looks like a residue of the ███ ░ ▓
▓ ░ ███ Prussian Pickelhauben - as a matter of fact, however, such ███ ░ ▓
▓ ░ ███ form arises as a result of the so-called "writer's cramp" ███ ░ ▓
▓ ░ ███ (Schreibkrampf), when the calligrapher's hand is too ███ ░ ▓
▓ ░ ███ deformed by Kurent, the handwritten version of the Black ███ ░ ▓
▓ ░ ███ Letter. Let us note the embarrassment with which German ███ ░ ▓
▓ ░ ███ type foundries treat Renaissance and Baroque type faces, ███ ░ ▓
▓ ░ ███ while attaining certain qualities when handling type faces ███ ░ ▓
▓ ░ ███ dating from the period of Neo-Classicism to the present ███ ░ ▓
▓ ░ ███ day. The reason for this is that Neo-Classicism has one ███ ░ ▓
▓ ░ ███ fundamental element in common with the morphology of the ███ ░ ▓
▓ ░ ███ Black Letter - a consistently upright axis of shading, ███ ░ ▓
▓ ░ ███ which pleases anybody who loves order. Another good example ███ ░ ▓
▓ ░ ███ can be also J. E. Walbaum, who, unawares, joined ███ ░ ▓
▓ ░ ███ Bodoni-type modernity with Gothic nostalgia in a remarkably ███ ░ ▓
▓ ░ ███ pleasant form, distant from the Empire-style canon. Some of ███ ░ ▓
▓ ░ ███ Zapf's book type faces of Neo-Classical character strut ███ ░ ▓
▓ ░ ███ before the eyes of readers from all over the world in the ███ ░ ▓
▓ ░ ███ rhythm of a parade march, not unlike the vigorousness of ███ ░ ▓
▓ ░ ███ the German type (during the sixties its influence, in the ███ ░ ▓
▓ ░ ███ form of a plagiarism called "Public", penetrated even into ███ ░ ▓
▓ ░ ███ the then Czechoslovakia). Uncials, Rotundas and Texturas ███ ░ ▓
▓ ░ ███ impressed R. Koch, but at a certain time also O. Menhart. ███ ░ ▓
▓ ░ ███ The austere spirit of the type face, of course, found the ███ ░ ▓
▓ ░ ███ best application in Grotesks and the "police" type faces: ███ ░ ▓
▓ ░ ███ the DIN-Schrift type face family, Pra_ske kamenne (Prague ███ ░ ▓
▓ ░ ███ Stone Type Face) and similar narrowed inscriptional ███ ░ ▓
▓ ░ ███ alphabets are familiar to both officials and convicts. In ███ ░ ▓
▓ ░ ███ such applications, the absence of any cultural connotations ███ ░ ▓
▓ ░ ███ in the character of the type face is most welcome; the ███ ░ ▓
▓ ░ ███ inscription, by the very nihilism of its design, must ███ ░ ▓
▓ ░ ███ suggest to the public, clearly and without any fuss, that ███ ░ ▓
▓ ░ ███ that's the end. Not even we are quite immune from the ███ ░ ▓
▓ ░ ███ Teutonic tenacity, which simplifies perception and the ███ ░ ▓
▓ ░ ███ designer's work in general: the Functionalist concept is in ███ ░ ▓
▓ ░ ███ vogue again. The present type face project "Teuton" ███ ░ ▓
▓ ░ ███ parodies the above-mentioned hypothesis; it is immediately ███ ░ ▓
▓ ░ ███ inspired by an inscription on one German tomb in the ███ ░ ▓
▓ ░ ███ Sudetenland. ███ ░ ▓
▓ ░ ███ ███ ░ ▓
▓ ░ ███ More info: ███ ░ ▓
▓ ░ ███ http://www.stormtype.com/teuton.html ███ ░ ▓
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▓ ░ ███ RiSE - RAZOR1911 - PNT - GNS - FLT - ViTE - AMN - RECOiL ███ ░ ▓
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